By D. N. Rodowick

Rhetorically charged debates over concept have divided students of the arts for many years. In Elegy for Theory, D. N. Rodowick steps again from well-rehearsed arguments professional and con to evaluate why thought has turn into the sort of deeply contested suggestion. faraway from lobbying for a go back to the "high idea" of the Nineteen Seventies and Eighties, he demands a full of life discussion on what may still represent a brand new, ethically inflected philosophy of the humanities.

Rodowick develops an ambitiously cross-disciplinary critique of idea as an instructional discourse, tracing its ancient displacements from old strategies of theoria via overdue smooth thoughts of the cultured and into the 20th century. The family tree of conception, he argues, is constituted through major strains of descent--one that is going again to philosophy and the opposite rooted in its place within the background of positivism and the increase of the empirical sciences. Giving literature, philosophy, and aesthetics their due, Rodowick asserts that the mid-twentieth-century upward push of thought in the academy can't be understood except the emergence of cinema and visible experiences. to invite the query, "What is cinema?" is to additionally open up in new methods the wider query of what's art.

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