By Anna-Teresa Tymieniecka

Philosophy, artwork feedback and renowned opinion all appear to deal with the aesthetics of the comedian as light-weight, whereas the tragic turns out to be seemed with higher seriousness. Why this favouring of unhappiness over pleasure? Can or not it's justified? What are the factors during which the value of comedy will be anticipated vis à vis tragedy? Questions comparable to those underlie the current collection of stories, which casts new gentle at the comedian, the cheerful and laughter itself. This problem to the preferred angle moves into new territory, touching on such issues to the profundity with which we take pleasure in existence and its position within the deployment of the Human situation. In her advent Tymieniecka issues out that the tragic and the comedian will be complementary of their respective sense-bestowing modes as good as of their dynamic services; they could either percentage within the primogenital functionality of selling the self-individualising development of human lifestyles.
For the 1st time in philosophy, laughter, mirth, pleasure etc are published because the modalities of the fundamental delight in existence, being delivered to endure in an illumination of the human condition.

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